MYRTLE FONTANA
- snow between reality and abstraction -
know Myrtle Fountain, a resident of the Soprabolzano Renon (Bolzano), dodges a solitary individual and wandering that is defined amateur photographer, we know his work precise and clear, made of patience and love, full of poetry and certainly not booming 'showy', but of careful and quiet compared
(to see:
http://www.photoritten.it/index.htm
and in this blog:
http://workinprogress-alessandrini.blogspot.com/2008/06/la-nitidezza-del-silenzio-nei-lavori-di.html )
few days ago and found some of his recent shots, I decided to republish in my blog
Blue sky and white snow, nothing is more 'real, but if these colors forms retain their evidence between curves of white snow and wooden fences, just a sky of ashes and lead to create shadows disturbing turn landscape in each scenario fantastic. Myrtle
Fontana has a new key in his pocket and his eye now exceeds the actual reading abstract poetry in it. Reflection of the game, from adventure to the question, in Fontana is felt the curiosity to go beyond the visible, perhaps due to subjective moments of life, or the sheer desire to venture into the 'more', "or, as Massimo Cacciari says:
"Everything is trivial if the universe does not undertake an adventure in metaphysics." The approach or expulsion
lens at a focal point no matter what the actual release from what 'that surpasses it. Fontana has moved from a reading of the object itself placed between reflections and memories, to an abstract conceptual projecting beyond everything. The object, it is an expanse of snow or a dry leaf is invested with new significance, where almost a sepia black and white with a touch of blue to help the image from a dream or thought. The leaf can 'be attacked by the newspaper box, and the expanse of snow a sort of limbo, a no mans land, a passage between life and death. In "Star Wars" hits the absolute immobility, not breathing, and above all the endless waiting or resignation of almost human forms that stretch to infinity. This is a 'framework' that almost certainly would like to Kieffer, or Bacon, o a Moore. Un’altra immagine apre un labirintico ludo composto da forme vegetali e quasi umane, dove minus et maius immobilizzano l’ennesima attesa, ed anche qui , sempre attraverso i giochi dei ghiacci, Fontana sottolinea il suo astratto pensiero antropomorfico.
Nell’attesa di nuovi scatti e nuove emozioni, auguriamo a Mirto Fontana pieno successo e soprattutto lo invitiamo a continuare il percorso nel suo nuovo ed astratto labirinto, di cui una delle sue immagini ne dà una versione ricca di significato
L.A.
(to see:
http://www.photoritten.it/index.htm
and in this blog:
http://workinprogress-alessandrini.blogspot.com/2008/06/la-nitidezza-del-silenzio-nei-lavori-di.html )
few days ago and found some of his recent shots, I decided to republish in my blog
Blue sky and white snow, nothing is more 'real, but if these colors forms retain their evidence between curves of white snow and wooden fences, just a sky of ashes and lead to create shadows disturbing turn landscape in each scenario fantastic. Myrtle
Fontana has a new key in his pocket and his eye now exceeds the actual reading abstract poetry in it. Reflection of the game, from adventure to the question, in Fontana is felt the curiosity to go beyond the visible, perhaps due to subjective moments of life, or the sheer desire to venture into the 'more', "or, as Massimo Cacciari says:
"Everything is trivial if the universe does not undertake an adventure in metaphysics." The approach or expulsion
lens at a focal point no matter what the actual release from what 'that surpasses it. Fontana has moved from a reading of the object itself placed between reflections and memories, to an abstract conceptual projecting beyond everything. The object, it is an expanse of snow or a dry leaf is invested with new significance, where almost a sepia black and white with a touch of blue to help the image from a dream or thought. The leaf can 'be attacked by the newspaper box, and the expanse of snow a sort of limbo, a no mans land, a passage between life and death. In "Star Wars" hits the absolute immobility, not breathing, and above all the endless waiting or resignation of almost human forms that stretch to infinity. This is a 'framework' that almost certainly would like to Kieffer, or Bacon, o a Moore. Un’altra immagine apre un labirintico ludo composto da forme vegetali e quasi umane, dove minus et maius immobilizzano l’ennesima attesa, ed anche qui , sempre attraverso i giochi dei ghiacci, Fontana sottolinea il suo astratto pensiero antropomorfico.
Nell’attesa di nuovi scatti e nuove emozioni, auguriamo a Mirto Fontana pieno successo e soprattutto lo invitiamo a continuare il percorso nel suo nuovo ed astratto labirinto, di cui una delle sue immagini ne dà una versione ricca di significato
L.A.
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