Sunday, January 31, 2010

Hairdresser Graduation Decorations

VIA GIULIA 95 , di Assieh Meneghini - ROME



VIA GIULIA 95, Assieh Meneghini - ROME 00186


Open seven years ago in one of the older buildings' beautiful Via Giulia, Palazzo Donarelli Ricci Gallery 95 of Assieh Meneghini, fascinates and attracts those who want to "dénicher 'objects and works of art like pieces in a particular environment, draped in shadows travel and living warmth, and staged with love and respect.
The Gallery is unfortunately about to close. I got a notification a few days ago and after contacting Ms. Assieh Meneghini and you've had with her permission, here the public that mail sent to all his acquaintances. A letter that I was immediately impressed, not only for the sorrow felt in learning the forthcoming closure of the space, but also for the clear and spontaneous expression of his writing.
often I visit the Museum. For each My trip to Rome is perhaps one of the first 'must', pausing for a long time at the window. Each object on display seems to have freed its superficiality to discard another object in the most 'far, creating a dialogue and oblique where he won the timeless story and not the appearance. A thin but strong theatricality brings different stories, dialogues with the bronze marble, iron, wood, paper and glass, shades and drapes and curtains are exchanged and sails to the wind. It travels in the absolute beauty, found in the refinement of the memory. Striking elegance and refinement in the choice of each work, this is a photo, a sculpture, furniture, everything has the scent of a old home or offer an experience that reflected the enamel of his past. Silent witnesses to past moments. This also shows him in objects more 'modern, that fit perfectly together, as the true "rare" when it slips into everything.
often take some pictures to the window, I would like to publish one on this page. In my world the theme of Lost Windows is always present, as research into what 'you lose and you would like to find in time, and in the window of Via Giulia 95 I feel the echoes. I see profiles of marble melt in the reflection of the windows of the Palazzo Sacchetti across the street, I hear those little birds darting inner iron play in reflection of the Christmas decorations, .... and much more
Hence the open letter Assieh Meneghini, whom I sincerely hope the best future to deal with all my admiration, respect and sympathy, and with the promise that there will another space where, I will go '! THE

NOTE: you should not miss: http://www.viagiulia95.com/



My dear friends and business contacts,

everything changes and the wonderful Via Giulia, one of the most beautiful streets of Rome, has lost its magic and energy.

Waiting to find a more dynamic, offro le cose presenti nella mia bottega a prezzi interessanti. Il mio lavoro di consulente di arredamento continua come sempre e sarò reperibile al
340 7624456 tutti i pomeriggi oppure potete continuare a contattarmi a questo indirizzo mail che manterrò: viagiulia95@yahoo.it

Venite a curiosare in VIA GIULIA 95 dal martedi al sabato dalle ore 15.30 alle 19.00, troverete occasioni da prendere al volo. Sarò presente io stessa e disponibile ad aiutarvi a scegliere. Per piacere, fatene parola con i vostri amici. Grazie.

Vi aspetto.
Un saluto cordiale

Assieh Meneghini


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Monday, January 11, 2010

Sample Of An Alpha Kappa Alpha Interest Letter




Jonas Burgert
was a German painter born in 1969. He lives and works in Berlin.

NOT LOSE
ON "ARTE" (TV):

http://www.arte.tv/fr/semaine/244, broadcastingNum = 1076445, day = 2, week = 2, year = 2010. html? fromRSS = true

reruns of the program:
LIES AND CHIMERIC
(Paintings by Jonas Burgert)
15-01-2010 at 2:15
16-01 - 2010 at 7:30


Jonas Burgert

détail de "Zweiter Tag Nichts" (Second Day Nothing)
de JONAS BURGERT


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Tribaux anciens et contemporains, metropolitains tatués, mistiques et assassins, humanoïdes tous au “chacun pour soi”, tous engagés a s’approprier d’un liquide vert (limon, boue acide, fluide au néon , plasm), referring to a single nature already exist. The man died, and his career, with a cry of scrap pit maze abyss. Here everything is suspended, despite the rumble of cement exploded view is the silence that envelops the narrative in time. What is striking is the contrast of colors, shadows, human figures disproportionées them but to the perfect forward projections. A reference to the great works of the Renaissance, another in the expressionist decadence mixed with the grotesque, a Germanic presence violent, dark and so modern in its composition courage defies any diktat. It never feels the "Illustration", which distorts the poetry and shadow. Color, technique and balance are all up to the best painting in its most serious and ancient tradition. Young and old, all beings that inhabit the canvas, are timeless, dressed in tattered cloths liquids, all caught in the moment, in search of green water, far from the Lake of Sleeping Bachelard , closer to a liquid would have known that only Bosch describe. Each human presence hides a deep resonance, anxious, fearful, running in the dark, in a solemn rite which desecrates Death. Breaking the proportions not in a game but in perfect compositions and open perspective, this is what Instant Burgert opens. Everything stops, because without TIME. The excess does not exist, and the more or less so honored by Guinness. The proportions do not ruling it loses the status of the comparison. By observing the large canvas "Zweiter Tag Nichts" we do not feel our anguish for us, since it is not questioned, we feel only the roar of only human beings who are looking at the Green to pick up. We're not trained, we're just spectators. Here then is born Instant without internal struggles. This small / large lot vertically / horizontally has a relative importance, what matters that's life struggling and seeking. Only women, and not without cause, is largely absent
LA - 2010 Villeneuve

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This painting, and any an exhibition on Jonas Burgert is currently

MCA DENVER 1485 Delgany St

Denver, CO 80202 303 298 7554



Museum Hours Tuesday-Sunday 10 am-6 pm Every Friday Until
10 pm

MCA CAFE Hours
Tuesday–Thursday 11 am–4 pm
Friday 11 am–10 pm
Saturday–Sunday 11 am–5 pm

MCA Denver will close at 4 pm on Friday, January 29th. Please Join us at 8 pm that night for the public opening of Looking for the Face I Had Before the World Was Made.

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