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The approccio (APPROACH)
acrylic on canvas - 120x100 cm - 2010 Villeneuve
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Recently I was to paint a "Venice" all red "... .. Panic who prefers gray colors! Here I have to explain the painting, "APPROACH" my best result of questions I got. If my work I sometimes use the red paint is especially Spain, expressed in her dancing, songs, strength, and unfortunately his terrible bullfighting. Spain became a symbol of pathos and emotional abuse, her red always accompanied by the evil duende. But having to be painted the soft and tranquil Venetian red cost me a considerable effort. Once launched the color on the canvas, almost blindly, I started to plan the lace that these architectures are all leaning over the water. The composition did not say anything at all, it was kind of bad photo, nothing more, then the "web" came to my help, he suggested its Carnival, his mask and his secret. A Labyrinth anthropomorphic with the excuse of the game slips into the water in front of the Isola San Giorgio, pushing a small gondola, Venice and waits there, lying in her beauty with red highlights in its mystery and its abandonment. The Labyrinth approaching Venice to breathe life, with his umpteenth idea: save the human will, rational, constructive and protective. Time flows like a flaming wheel, resigned but proud at the clock dial reminiscent of the Torre di San Marco. Circle / wheel on one side and roads / crossings the next, "becomes" and everything moves, opening space to hope, respect and positive determination.
Recently I was to paint a "Venice" all red "... .. Panic who prefers gray colors! Here I have to explain the painting, "APPROACH" my best result of questions I got. If my work I sometimes use the red paint is especially Spain, expressed in her dancing, songs, strength, and unfortunately his terrible bullfighting. Spain became a symbol of pathos and emotional abuse, her red always accompanied by the evil duende. But having to be painted the soft and tranquil Venetian red cost me a considerable effort. Once launched the color on the canvas, almost blindly, I started to plan the lace that these architectures are all leaning over the water. The composition did not say anything at all, it was kind of bad photo, nothing more, then the "web" came to my help, he suggested its Carnival, his mask and his secret. A Labyrinth anthropomorphic with the excuse of the game slips into the water in front of the Isola San Giorgio, pushing a small gondola, Venice and waits there, lying in her beauty with red highlights in its mystery and its abandonment. The Labyrinth approaching Venice to breathe life, with his umpteenth idea: save the human will, rational, constructive and protective. Time flows like a flaming wheel, resigned but proud at the clock dial reminiscent of the Torre di San Marco. Circle / wheel on one side and roads / crossings the next, "becomes" and everything moves, opening space to hope, respect and positive determination.
Save Venice is an act of
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The photo of the painting is not very satisfactory, I add detail images
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